“Lace Downstairs” in audio at StarShipSofa! (and some other fun things.)

I’m leaving for eleven days in Armenia (and then a sojourn through New York City and Munich) in about 48 hours, and I’m a bit overwhelmed with preparations, so I’ll just point you all to the following collection of delightful things:

thing one: The very first story I ever sold, “Lace Downstairs” (Abyss & Apex 44, 2012), has been reprinted in audio podcast at StarShipSofa, read by Tatiana Gomburg. It’s a great reading and I’m so very happy to have a story of mine somewhere in the Cast of Wonders universe. “Lace Downstairs” is my take on lesbian cyberpunk noir; it’s about as pulp as I get.

thing two: Liz Bourke kindly let me borrow her tor.com column, Sleeps With Monsters, to talk up the power of teenage girl fandom and my favorite comic’s triumphal return, over here: ‘Once Again We Return: The Wicked + The Divine up out of the underground’. Death and apotheosis! Teenagers at concerts! READ THIS COMIC.

thing three: Reviews continue over at Spooky Action At A Distance, where Cat has been talking about structure and agency. Next week we’ll be doing a new round of recommendation/review exchanges, on the theme of GAMES IN WRITING/WRITING IN GAMES, and after that we have some special guest interviews lined up, so stay tuned!

I am now mostly off the internet until April 20. (Well, after I get these submissions sent out.)

Play nice have fun don’t break too much. 😀


“Abandon Normal Instruments” + interview & reprint at Mithila Review

I’m really pleased to have a new poem (and a reprint of 2014’s “Cloud Wall”) appear in the Mithila Reviewa new literary speculative fiction & poetry magazine edited by Salik Shah and Ajapa Sharma. I love this magazine’s concept — SFF from all over the world, but centered in a South Asian frame, concerned with borderlands, translation, “a language that slips”. And I’m incredibly pleased that Salik and Ajapa asked me to contribute: it’s wonderful when people you’ve never met see the thematic core of your work so clearly, and ask for more of it. I feel both honored and excited to be in this company.

Please do read the entire magazine — this issue (and the first) are full of fascinating, slippage-heavy, blurred-edge work, both poetry and prose. (And the magazine itself is beautiful.)

My new poem, “Abandon Normal Instruments”, is a threnody. (It may be slightly clear for whom.) It can also be read as a diptych with “Cloud Wall”, though it’s substantially less threnodic in that context.

I also had the opportunity to answer some interview questions! In which I make an attempt to define what I mean by ‘a poetics of exile’, and have some opinions about whether I have ever published a story with a heterosexual romance in it. (Spoilers: not yet, but I don’t rule it out in the future.)